DM16

DM16

33,000.00

7 in stock

16 Input Analogue Live and Studio Mixer with Midas Microphone Preamplifiers

  • Live performance and studio recording analogue mixer with 16 input channels
  • 12 mono input channels with award-winning Midas microphone preamplifiers
  • 2 electronically-balanced stereo line input channels on 1/4″ TRS connectors
  • 3 band EQ on mono channels with swept mid band
  • 2 aux sends with pre/post fader switching
  • 60 mm precision long-life faders
  • Rugged chassis construction for durability in portable applications
  • Auto-ranging universal switch-mode power supply
  • 10-Year Warranty Program
  • Designed and engineered in the U.K.

7 in stock

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Description

DM16

DM16

The compact DM16 honours your stage or studio desktop space, while providing incredible sonic performance, amazing versatility – and an unheard of level of affordability.

What is the secret behind DM16’s superb, studio-quality sound? The DM16 features 12 award-winning, MIDAS microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 16 channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre/post-fader aux sends, 2 monitor outs and 2-track RCA I/O, and you have an analogue work of art – the fully featured DM16!

 

 

 

 

 

 

Live Performance and Studio Recording

Live Performance and Studio Recording

With 16 channels, the DM16 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.

 

 

 

 

 

 

 

 

 

Dedicated Stereo Inputs

Dedicated Stereo Inputs

Line channels 13/14 – 15/16 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.

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