PRO9-CC-IP

PRO9-CC-IP

2,187,500.00

Out of stock

Live Digital Console Control Centre with 88 Input Channels, 35 Mix Buses and 96 kHz Sample Rate

  • Live performance digital console control centre with up to 88 simultaneous input channels
  • 35 time-aligned and phase-coherent mix buses
  • HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate
  • HyperMAC router with 192 bidirectional channels over copper and optical fibre
  • Provides dual redundant snake connection to DL371PRO9 Audio System Engine
  • Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable
  • 10 VCA (variable control association) and 6 POPulation groups
  • Up to 36 assignable 1/3 octave KLARK TEKNIK DN370 graphic equalisers
  • Up to 8 multi-channel digital signal processing effects engines
  • 29 MIDAS PRO motorised 100 mm faders
  • 2 daylight viewable 15” full colour TFT display screens
  • Fully interpolated touch sensitive controls
  • Optional wireless remote control with MIDAS MIXTENDER App for iPad*
  • Three bay auto-ranging universal switch-mode power supply with N+1 redundancy
  • 10-Year Warranty Program
  • Designed and engineered in the U.K

Out of stock

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Description

PRO SERIES PRO9-CC-IP

PRO SERIES PRO9-CC-IP

The MIDAS PRO Series has become established as the industry standard on live concert tours and the road-proven PRO9 featuring 88 simultaneous input channels and 35 time-aligned and phase-coherent mix buses, shares the familiarity of a common user interface and workflow with PRO3 and PRO6. Like all PRO Series consoles, the PRO9 features managed latency and 40 bit floating point processing precision. PRO9 sets the standard of performance in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability.

 

HyperMAC and AES50 audio networking technologies allow the PRO9 to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO9 equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.

 

 

 

Digital Audio Networking

Digital Audio Networking

SuperMAC (AES50-Compliant) and HyperMAC digital audio networking technologies from Klark Teknik simultaneously provide high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.

 

The PRO9 HyperMAC router provides a dual redundant snake connection to the DL371PRO9 Audio System Engine over optical fibre and copper with a bandwidth of 192 bidirectional channels of 96 kHz 24 bit digital audio, up to a distance of 500 m with optical fibre or 100 m with CAT5/5e cable.

 

PRO9 is compatible with all Midas PRO Series digital I/O units, as well as with any other 96 kHz-enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I/O interfaces.

 

 

Advanced Navigation Flexibility

Advanced Navigation Flexibility

At the heart of Midas console navigation are the VCA and POPulation groups, which mirror the natural work flow used by mix engineers and encourages the development of a mental picture, or “Mind Map”, of the whole system. Only the required control elements and associated feedback are presented, allowing users to adopt structured task-based workflows, rather than being presented with an overwhelming ‘sea of knobs’.

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